Instead of living a life of worry about the past or future, we can choose to be here, now. But most of all, they inspire us to see the silver lining. On the contrary: they show a deep-rooted conviction that everything is connected and that we may be hopeful, as long as we have each other. While all dance to the beat of their own drum, the talents are connected by the idea that we are not alone in dealing with the challenges of our time. Others imagine what our future surroundings – physical, digital and hybrid – could look like, and what behavior we may need to master to exist in these spaces. Several explore the human skill-set, and how feelings as opposed to thoughts can be a valuable and valid source of knowledge while navigating the future. Some artists seek to create connections with a more varied group of beings, including non-human and digital entities, to understand the world and mankind’s position in it. We see the designers turning to ancient or ancestral knowledge, to imagine how reconnecting with land, soil and nature could offer alternative ways of existing and belonging. The emerging talents share a holistic perspective and prefer to design an imagined elsewhere or part of the process rather than an object for the sake of it. The group distinguishes itself by this movement that could be interpreted as a continuous dance – agile, soft, fluid and daring – with the profound troubles we face today. Moving forward, inward, backward or through, constantly making new connections, changing angles, perspectives and positions, without a pre-set outcome. The approaches differ but are connected by movement. Firmly grounded in the here and now, they experience, experiment, question and navigate the unknown. The talents dare to dance with life and trouble. Yet, this does not cause paralysis or defeat. Beyond future scenarios, they courageously embrace the possibility of having no end point, no solution or no future at all. They look at the world beyond solutionism. But also the messiness that trouble represents and the freedom it gives to experiment. What is being felt in this year’s group of up-annd-coming creatives is the search for the collective and the need to go beyond the boundaries of design disciplines. For her, staying with the trouble means that we as humans do not just need solutions, but most of all need each other. By being present and by bonding with a variety of others, in unpredictable or surprising combinations and collaborations. Instead, she suggests to wildly imagine beyond the known. In her 2016 book Staying with the Trouble: Making Kin in the Chthulucene philosopher and theorist Donna Haraway suggests that, in building the future, mankind should not get caught up in fixing systems that are known to be obsolete.
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